No, not the body parts most people cover. And not the harsh
indictments like “hatred,” either. For novelists, abstractions are naughty
because they fail to tangibly link to the external world through seeing,
hearing, smelling, tasting, or touching. And of course they’re naughtiest when most familiar:
“Alicia yearned for true love,” “Anger entered the deepest recesses of Oscar’s
soul,” or “The pain of this loss stayed with Roderigo day after day.” Ugh!
Thankfully, few novelists sink this low often, if at all. Novelists
are usually aware of melodramatic, naughty descriptions from agonizing to zestful.
But most novelists slip in an expression, a condensation, a vague description
here and there. Some of that comes from forgetting why abstraction is naughty.
Abstraction steals the cookies from the cookie jar. Readers turn to fiction for vicarious
experience—the joy of eating brownie bars without fear of excessive calories or
peanut allergies. When writers are naughty, readers are instructed to feel
anxiety, relief, or misery.
Whether you call it “telling” or “abstraction,” the
naughtiness comes from depriving readers of the character world that enticed
them to fiction in the first place. At its best, fiction offers emotion without
any personal liability. Summary and directive remind readers that they’re reading
and not snacking, love-making, getting promoted, or defeating the rapacious CEO.
Sometimes the problem is writers wanting all the cookies for
themselves. Instructing people how to feel resembles running the world, calling
the shots, and playing at being all-powerful. That might make some writers feel
triumphant. But it makes most readers feel—pretty close to nothing.
In contrast, when writers generously give their readers tangible,
specific moments and details, readers can groan over the basketball trophy, nod
when she gets his love letter seconds before boarding the train to Siberia, or shiver
over the doctor questioning the infant’s survival. Don’t steal the cookies your
readers want to enjoy.
Tip: Want to be “nice”
to your readers? Give them the fictional
experience they seek.
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