You have options for refurbishing your novel, also. Sometimes you
can’t write the sentence, describe the character, or articulate that bit of
backstory because…you don’t actually need to. That’s when you should draw your
pen, pencil, or cursor right through it. How can you tell if that’s smart
thinking? These questions might help.
1.
What does the scene lose if I omit this detail,
description, or character?
2.
What does the novel lose if I just omit this
scene?
3.
Is my point here so obvious that I can’t find a
new way to frame it?
4.
Is my point here so convoluted that I can’t find
a smooth way to express it?
5.
Is the issue that I don’t know what the heck I
want to say?
The first four questions often suggest the “right through it”
approach. The last one, though, begs for the “write through it” approach.
Let’s say you decide that you would cheat your readers by
omitting that detail, sentence, or scene. But maybe you’ve already struggled
until you doubt there’s enough chocolate in the world to fix those words or
your frustration over them. The trick is tricking yourself into fresh
strategies and restored energy (it can be a renewable resource). Here’s a bag
of tricks.
ü
Command yourself to rework this passage for fifteen
minutes.
ü
Forbid yourself to revise this section for more
than fifteen minutes. (No cheating.)
ü
Fix one thing bothering you: the verb, the
image, even the punctuation.
ü
Fiddle with this section for five minutes at the
start or end of each writing session.
ü
Change the point of view. (Just for fun.)
ü
Change the character motivation. (Potentially
even more fun.)
ü
Think about what you want to say every night for
a minute before falling asleep. One morning you’ll awake knowing what you
wanted to say and how to say it.
Tip: You’ll write
happier by differentiating “right through it” from “write through it.”
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