Molly Giles, author of Iron Shoes and other fiction,
described Anderson’s novel as “A love story, a war story, an ecological
adventure, a biological poem, and a treatise on the fragility of life—Darwin’s
Wink has it all..... Like the elusive, bejeweled mourning bird it celebrates,
this book will waken its readers to unexpected wonders.”
Anderson’s novel is indeed exquisite, with wonderful tension
in terms of danger as well as philosophy and morality. Yet not plot but
idiosyncratic character and theme drive its momentum. That isn’t a recipe for
everyone, and most writers are better off using quotation marks though not italics
(especially inconsistent ones).
Still, this book offers numerous lessons, both Darwinian and
otherwise, to every writer.
~ Omniscient point of view.
Anderson clearly but gracefully
shifts perspective. This is difficult to execute, and she models both how to do
it and why it’s worth the struggle.
~ Characterization.
Writers are often drawn to
unappealing characters but then stuck with fiction that turns readers off. The blend
of vulnerability and chutzpah that infuses all of Anderson’s characters is among
the best strategies for counteracting the malaise of wounded characters.
~ Dialogue
With or without quotation marks,
it’s tricky to have characters argue philosophy and sound both convincing and
intriguing. This novel does that over and over.
~ Originality
Too many novels feel as you’ve
already read something just like this. Here, though, the island is not only a
place where you’ve never been, inhabited by people (and birds) you’ve probably never even imagined,
yet somehow evocative of the best fiction about islands, scientists, quests,
dreams, and biology. Startling yet familiar. What could be better?
~ Plot as microcosm of theme.
These characters struggle with
compassion versus necessity. How does being a human animal differ from being another
animal? Should only the fittest survive?
Tip: Become a
“fitter” writer by scrutinizing novels that epitomize your goals for your own.
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