Jellyfish (jellies) are. They die that way, too. Try stepping on a desiccating
one, or, rather—do so at your peril. Antagonists? That’s a matter of nature and
nurture, and one of crucial importance to fiction. In Writing the Breakout Novel Workbook, Donald Maass reminds us that a
multi-dimensional opponent is not only more intriguing, but “more dangerous.”
And as Robert McKee puts it in Story, “All other factors of talent, craft, and knowledge being
equal, greatness is found in the writer’s treatment of the negative side.” Why?
Because without a worthy antagonist, a protagonist has no compulsion to defeat
inertia. The status quo seems less exhausting. Why not just …
Tip: The
antagonist is the source of change—and growth—in the protagonist.
Two kinds of worthy antagonist can motivate your protagonist.
The first is doomed. But your antagonist obviously needs greater
complexity than a creature with only a nerve net. Maybe your antagonist yearns
to be good, cursing the universe that makes some of its inhabitants unable to
conquer their worst foibles. These
villains fill Shakespeare’s plays—because such antagonists offer credibility
and inspire empathy.
As a novelist, it’s your job to make us grasp that level of
pain. What would it be like to envy the impulse toward morality? Challenge yourself
to understand that notion, so your readers can.
Other antagonists haven’t the slightest desire to change. They
rationalize lust, greed, arrogance, or violence so skillfully that the audience
wonders whether there’s something valid about those arguments. The compelling
antagonist has mastered self-justification: “It’s absolutely okay for me to
murder or starve or rape these people because I…”
It’s your job to complete that thought. The source is
backstory, not on the page, but in your grasp of character. Which sociological and
psychological factors formed this person? This requires viewing your antagonist
as a person—not a creature. Again, the
answers probably come from your worst secrets. What stories do you tell to legitimize
moments of selfishness or deceit? On a much uglier magnitude, the antagonist’s
mind works the same way. The darkest, dirtiest parts of you long ago familiarized
you with the storytelling that lets us do what we want instead of what we know
we should. There’s a little antagonist in most of us.
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