This is a true story, and a prop started it all:
A Canadian couple who’ve been living together for several years decides
to vacation in Venice. On the iconic Rialto Bridge, they pause before a jewelry
shop. Its gold pieces tempt them inside. One of them admires a beautifully crafted
plain gold band. She wants it. He agrees that it’s gorgeous and,
what-the-heck—buys the other for himself.
Outside, with the gondoliers crooning corny songs as the red-velvet-lined
gondolas sway on the mint-green waves, he turns to her. “So I guess this means
we’re getting married?”
She nods. “Yes.”
They’re still married, and—I got to see their rings when this drama
professor explained how he urges his students to use props. “What better way to
both motivate and make motivation concrete?” Yes, indeed.
Tip:
Props drive characters, promote causality, and transform abstract into
concrete.
What makes props work?
~ Clarity.
Have to explain the prop? You haven’t found the right one yet.
~ Originality.
Instead of giving a gardener a trowel or a plumber a snake, choose
something credible but unpredictable. Does the gardener make pottery for all those
plants? Does the plumber play second base or collect old jazz albums?
~ Characterization.
Random props seem—random! For example, whether a guy wears his wedding
band says something about him, just as what kind of engagement ring she likes
says something about her. When props reveal and deepen character, you
accomplish two things with one detail. Exquisite efficiency.
~ Symbolism.
The wedding ring works because it unexpectedly happened in a foreign
country, albeit an exceedingly romantic one. If Lucy spies a ring in Modern Bride and invites Herman to admire it, the effect is clichéd,
heavy-handed, and not in the least romantic. Surprise us.
~ Causality.
According to the Canadian couple, without that window, they might never
have married at all, and certainly not right then. The storefront caused action—the
kind that drives fiction because one event (stopping before the window) causes
the next (wedding bells). Serving coffee won’t necessarily enhance a scene. But
staining the white carpet that he never wanted her to buy? That’s something
else entirely.
Prop it up.
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