Writing’s a balancing act. Your ego must inspire
rather than breed defensiveness or despair. You need to consider audience, but
never to the point where you can’t evaluate the actual prose. The goal is composing
freely, but with sufficient awareness of quality that you needn’t discard every
word later on. You want to revise rigorously, yet with exhilaration. Otherwise you
stifle what can be an electrifying process.
All this demands impartial assessment. How can you
accomplish that while wondering whether you’ll land an agent, what’s in those
emails binging in the background, or if you’ll ever compose another sentence as
good—or bad—as the previous one.
Good writing balances knowledge of craft with creative implementation
of that knowledge. The novelist must consider tension, emotion, pace,
characterization, detail, and language. Change just one thing on that
incomplete list, and you’ve altered something else. Add a transition, and now
you’ve repeated a word. Surely writing is complicated enough without your mind
wandering while you diagnose and revise.
Writing time is less a matter of the time spent than the time
spent with high quality of attention. You can’t attain that when focused on
yourself instead of your novel:
Go to the pine
if you want to learn about the pine, or to the bamboo if you want to learn
about the bamboo. And in doing so, you must leave your subjective preoccupation
with yourself. Otherwise you impose yourself on the object and you do not
learn. – Basho
If this sounds a lot like mindfulness, could be because
that’s what it is. Mindfulness. This word evokes powerful reactions. Most
people view it as either a practice to follow, or “Oh no. Not that stuff.”
But mindfulness is simply consciousness or calm awareness
of the present moment. According to Jon
Kabat-Zinn, mindfulness is
the awareness
that emerges through paying attention on purpose, in the present moment, and
non-judgmentally, to the unfolding of experience moment to moment.
Of course you can achieve concentration in a variety of
ways. It doesn’t matter which you choose. Once you do, though, you’ll
- Read what’s on
the page, not what you hope is there.
- Encounter
your words objectively, so you can revise them effectively.
- Examine your
work with neither too much nor little confidence.
- Scrutinize every
sentence, rather than only the best or weakest parts.
- Eliminate real-world distractions.
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