Novelists Givingthanks

Writers face numerous obstacles, fears, and envies. Other writers write better. There’s never enough time. The publishing industry seems more geared to trends and profits than to originality or quality. Getting an agent feels like a Herculean task—and that precedes publication, then marketing. After all that, very few any of us get to quit our day jobs. And, finally, why is it so slow-going? Such hard work? But that’s only part of the picture.

Now that many writers have enjoyed a day off and an excuse to overeat, this seems a fine time to extol the other side of being a writer. How about what D. L. Burnett (In the Kingdom of Dragons) calls being “in the zone.” That euphoria is tantamount to making love to your ideas—and having your own words love you back. Nothing quite like it.

The blessings don’t end there. Today’s writers can edit on a laptop, research on the web, self-publish, and enjoy a plethora of courses, craft books, and critique groups. If not every one of those is good, the great ones are superb. That helps writers become superb.

Writers are also lucky to have …

…a means of probing truth: “The role of a writer is not to say what we all can say, but what we are unable to say.” ― Anais Nin

…an excuse for eavesdropping and gossiping: “The great advantage of being a writer is that you can spy on people. You’re there, listening to every word, but part of you is observing. Everything is useful to a writer, you see―every scrap, even the longest and most boring of luncheon parties.” ― Graham Greene

…a blueprint for hidden connections:  “Storytelling is ultimately a creative act of pattern recognition. Through characters, plot and setting, a writer creates places where previously invisible truths become visible. Or the storyteller posits a series of dots that the reader can connect.” ― Douglas Coupland

…a way to procure your favorite novel: “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” ― Toni Morrison

…a means of coping with pain: “A wounded deer leaps the highest.” ― Emily Dickinson

a way to create your own world: “The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you’re hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.” ― George R. R. Martin

…a justification for occasional anti-social behavior: “Being lonely is not a bad thing for a writer. ― Chuck Palahniuk

…a source of energy: “I don’t need an alarm clock. My ideas wake me.” ― Ray Bradbury

…a chance to reach strangers across time and space:  “A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.  ― L. Travers

…a way to change the future: “catch the imagination of young people, and plant a seed that will flower and come to fruition.” ― Isaac Asimov

…a shot at eternity: “Writers live twice.” — Natalie Goldberg

Tip: “If you wish to be a writer, write.” ― Epictetus

Every day could be Thanksgiving.

The Best Fantasy Describes Reality

Fiction itself is born in fantasy. The millennia-old quarrel between Plato and Aristotle questions the source of “truth.” Plato insisted it resides only in the realm of history and fact. But Aristotle praised a poetic version of reality, one more coherent, credible, and causal than the randomness of whatever really happened.

Fantasy has its roots deep in this dispute. Great fantasy builds a credible world, reveals truths about our own, and gives us a fun read. “Dwarf and Dragon,” the second book of D. L. Burnett’s trilogy “In the Kingdom of Dragons,” does all of this and more.  

At the Chicago Book Expo in 2004, beloved author Ursula K. Le Guin told her audience this: “Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil.”

Burnett’s novel accomplishes this by layering oaths, dilemmas, and inadvertent betrayal throughout. Is your loyalty to your people or to the mentor who helped you become a leader? Do you betray your husband or your moral code? Would you kill a friend who’s gone on a rampage that endangers lives? Can dragons, or dwarfs, or giantesses overcome their basic nature and achieve something gentler, more “human”?

Questions without easy answers generate terrific plotting and gorgeous writing. As the Dwarf army approached, “Their braided beards swung like pendulums across their chests.” They are defiant about reclaiming their homeland; they are unbeatable. Only a coerced marriage can save this people.

But this is a novel about loyalty—and love. The marriage begins with a Dwarf finding his spouse “a worthy diversion.” Sadly, he discovers that “’Human love is mist. What can I or any Dwarf know of it?...I am less welcome in your chamber than a winter wind….We cannot build a union upon a grave.’” But wait. Out of an ephemeral substance called Dripstone, he expresses his love through a sculpture he must carve and carve again. Will it move her? Read the book and find out.

LeGuin’s “Why are Americans afraid of dragons?”reminds us that “The use of imaginative fiction is to deepen your understanding of your world, and your fellow men, and your own feelings, and your destiny. …For fantasy is true, of course. It isn’t factual, but it is true… it is by such beautiful non-facts that we fantastic human beings may arrive, in our peculiar fashion, at the truth.”

Author Maureen McHugh reminds all novelists to “Follow your weird.” Plato was wrong. Truth doesn’t “lie” in the fantastic. That’s where truth resides.

Tip: Regardless of genre, use your imagination to shape reality. That way you express the themes closest to your heart.