Showing posts with label Ray Bradbury. Show all posts
Showing posts with label Ray Bradbury. Show all posts

Sunday, January 15, 2017

What Can Cats Teach Novelists?

Cat tales arrive as Puss in Boots or Dr. Seuss’s Cat in the Hat, along with a presence in romance, mystery, fantasy, and mainstream. This collection purrs, speaks, intimidates, and remains aloof. But do the cats teach? As they themselves might say, this depends on how you look at it.

Cats either represent or illustrate attributes useful to every novelist:

~ Curiosity 

If there’s a box—they’ll test it; a drape—they’ll climb it; a noisy thing that moves—they’ll chase. While their owners prefer to have the drapes left alone, as a novelist, it’s a fine idea to contemplate everything. And then? Catlike, you decide it isn’t actually all that interesting and move on to the next possibility. What better way to uncover the ultimate entertainment? What better way to discover what’s worth pursuing?

~ Mystery

Part of feline wisdom is awareness that everything’s rich with possibility, potential hiding places, and relentless struggle between predator and prey. Have you left enough to your reader’s impressive imagination? Do your characters reveal what you never consciously imagined? Does your plot surprise? As the great mystery master confessed, “I wish I could write as mysterious as a cat.” - Edgar Allan Poe

~ Solitude

Critique groups and writing partners are great: they provide the objective feedback every novelist needs. In the end, though, it’s just you and a blank sheet or screen. Cats understand that many magical moments occur alone, in covert crannies where no distraction can touch you. It’s just you and your own world, whether that’s beside the fireplace, under a blanket, or inside the one your own mind created.

~ Patience

The scent of a mouse, however long-gone, can keep a crouched cat eyeing the tempting territory for hours, returning to check over and over. After all, anything there once could return!  Tenacity helps you continue revising until the page does what you intend—no matter how long this takes. Tenacity fortifies through the long process of completing a novel that meets very high standards. The kind cats would impose if they chose to read.

~ Sensuality

When fiction works, it’s as luxurious as a cat stretched full-length, purring softly because its this moment offers the perfection every cat expects as an inherent birthright. If novels aren’t sensual, what are they for?

Cats charm not only as companions, but as symbols. Inscrutable and self-contained, yet within reach. As Ray Bradbury observed, “That’s the great secret of creativity. You treat ideas like cats: you make them follow you.”

Tip: Not every novelist needs a cat. But every novelist needs the best qualities of cats.

Sunday, March 6, 2016

Don’t Ditch Your Novel

Rejections. You might think you prepared yourself. You probably didn’t. The longer you worked on a book and the harder you hoped, the more it hurts. It might hurt worse that loved ones who aren’t writers don’t completely understand. The clash between book and business is an ugly one. Suddenly you’re a wordsmith without the words to communicate disappointment—the pain.

Clichés you would normally never use fill your tortured mind. “I can’t believe how bad this hurts!” “My insides are emptied out.” “It’s like being kicked in the stomach.” “No one will ever love my book.” “No one understands me.” “I’m a failure!”

But after all the time, energy, and heart you already invested, does it make sense to cower in a corner? Lick your wounds in the dark? Of course not. Grace Hopper, a Navy Rear Admiral born in 1930, who surely had her share of disappointments, said, “A ship in port is safe, but that’s not what ships are built for.” Didn’t you build your book for readers? Go get some.

Tip: Don’t give up on your book too soon. Watch out how you define “too soon.”

If it feels as if you’re starting fifty steps below square one, read Chuck Wendig’s superb blog on rejection at terribleminds.com. And try these.

~ Remember why you want to be a writer—and why you poured your heart into this book.
           “You must stay drunk on writing so reality cannot destroy you.” ― Ray Bradbury

~ Maintain your sense of humor.
            Here’s what they told Dr. Seuss about “And to Think That I Saw It on Mulberry Street:
“Too different from other juveniles on the market to warrant its selling.”

~ Learn from any criticism you’re lucky enough to receive.
“Every rejection is incremental payment on your dues that in some way will be translated back into your work.” – James Lee Burke

~ Stand up straight. Don’t slouch.
“I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide.” — Harper Lee

~ Redirect your emotions.
“Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” — Jennifer Salaiz

~ Write something.
It’s fine to start out negative. But swiftly assume figure skater mentality. If you fall, get right up and execute the next leap. That’s what skaters and writers do. After all, “A blank piece of paper is God’s way of telling us how hard it to be God.” — Sidney Sheldon
          

Sunday, November 30, 2014

Novelists Givingthanks

Writers face numerous obstacles, fears, and envies. Other writers write better. There’s never enough time. The publishing industry seems more geared to trends and profits than to originality or quality. Getting an agent feels like a Herculean task—and that precedes publication, then marketing. After all that, very few any of us get to quit our day jobs. And, finally, why is it so slow-going? Such hard work? But that’s only part of the picture.

Now that many writers have enjoyed a day off and an excuse to overeat, this seems a fine time to extol the other side of being a writer. How about what D. L. Burnett (In the Kingdom of Dragons) calls being “in the zone.” That euphoria is tantamount to making love to your ideas—and having your own words love you back. Nothing quite like it.

The blessings don’t end there. Today’s writers can edit on a laptop, research on the web, self-publish, and enjoy a plethora of courses, craft books, and critique groups. If not every one of those is good, the great ones are superb. That helps writers become superb.

Writers are also lucky to have …

…a means of probing truth: “The role of a writer is not to say what we all can say, but what we are unable to say.” ― Anais Nin
…an excuse for eavesdropping and gossiping: “The great advantage of being a writer is that you can spy on people. You’re there, listening to every word, but part of you is observing. Everything is useful to a writer, you see―every scrap, even the longest and most boring of luncheon parties.” ― Graham Greene
…a blueprint for hidden connections:  “Storytelling is ultimately a creative act of pattern recognition. Through characters, plot and setting, a writer creates places where previously invisible truths become visible. Or the storyteller posits a series of dots that the reader can connect.” ― Douglas Coupland
…a way to procure your favorite novel: “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” ― Toni Morrison
…a means of coping with pain: “A wounded deer leaps the highest.” ― Emily Dickinson
a way to create your own world: “The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you’re hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.” ― George R. R. Martin
…a justification for occasional anti-social behavior: “Being lonely is not a bad thing for a writer. ― Chuck Palahniuk
…a source of energy: “I don’t need an alarm clock. My ideas wake me.” ― Ray Bradbury
…a chance to reach strangers across time and space:  “A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.  ― L. Travers
…a way to change the future: “catch the imagination of young people, and plant a seed that will flower and come to fruition.” ― Isaac Asimov
…a shot at eternity: “Writers live twice.” — Natalie Goldberg

Tip: “If you wish to be a writer, write.” ― Epictetus


Every day could be Thanksgiving.