Coaches like Jack M. Bickham and Dwight Swain offer terrific suggestions
for scenes, yet focus more on the building blocks than the writer’s perception
of what happens next.
Tip: Plan your scenes
to meet the goal of tension on every page.
Here’s an alternative: Character Goal…Hook…Hook.
~ The goal.
Know what your character wants. Instantly. Why can’t the character
achieve this right now? And what’s the immediate result of failing? “Instantly” and “immediately” are the key
words. A casual, long-term possibility offers little at this moment. And readers,
who have all sorts of other ways to spend their time, don’t want to wait. Don’t
make them.
An added bonus: if you identify what your character desires, then you
know where the scene needs to go. Win/win/win: characters get motive; readers
get conflict; writers get strategy.
~ The hooks.
Use your protagonist’s goal to start every scene with a genuine hook,
or anything that whets reader appetite.
Hint: it’s rarely just the setting. Consider these possibilities:
- Seemingly unwinnable goal
- Snazzy dialogue
- Question
- Short sentence that pops
- Secret
- Complex emotion
- Huge dilemma
- Grave danger
- Emotional upheaval
- “Ticking clock” (as Noah Lukeman put it)
Launch the scene with
a hook, and conclude every scene but the last with another hook. Again, a bonus
not just for readers, but for writers. Hooks help identify which material needs
to be in scene while maintaining high tension right up to The End.
Now for the
frosting. It’s often the writer’s motive, but less so the reader’s. Some
examples:
Ø Backstory
Ø Themes
Ø Symbolism
Ø Allusions
(literary or others)
Ø Social commentary
Ø History or
geography or any other kind of “lesson”
Ø Poetic moments
Like frosting, perfectly
delightful. But in small doses, and never as a substitutes for the actual cake.
The good news? Build scenes from hooks and goals, and you can add that
delicious frosting without distracting from the plot. That’s where tension
thrives.
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